Sarah sandblasts the bottles to turn the translucent plastic into an opaque material, diffusing light and transforming the cheap object into something that looks and feels reasonably high quality. Some of her pieces are even dyed vibrant colours which I think widens her target audience from modern interior design to even a suitable light for a child's room. Then intricate craftsmanship comes into play to turn the sandblasted plastic bottles into delicate individual decorative forms. She hand cuts the plastic bottles with a pair of scissors, measuring the cuts by eye. This is of course the tricky part, requiring skill and great hardship, but Sarah thrives off the challenge that raw material sets her, as they are less malleable than new materials, but this restriction leaves her feeling more than satisfied with a finished piece. In fact, the plastic bottles have been that manipulated that you almost don't recognise that it was once just an empty plastic bottle. Sarah believes that "just because a product is made from rubbish, it doesn't need to look like it does" and that is exactly what she has proven.
Sarah's eco-lights have been an incredible success and have been exhibited in a selection of famous galleries in London, Milan, Paris, LA and Nottingham.

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